The Morning Blend
Welcome
Complete Media Kit
It was a year where Lil Wayne went from being an underground icon to music’s biggest star, Axl Rose finally released his long-gestating epic, and a laptop mixologist and former biochemist created the year’s most engrossing album.
Sure, the music industry business model continued to tailspin as album sales plummeted to murky depths. It now appears as though the era of the blockbuster CD may be dead forever, with the 2-million sales mark — a figure NSYNC surpassed in less than a week in 2000 — now considered rarefied air for an artist. Yet, people continue to consume music in carnivorous fashion. Music’s not going away any time soon, but the way people get it and listen to it is evolving.
With that, here is our look back at the year in music — the highs, the lows and everything in between.
Top 10 albums of 2008
 Associated Press Britney Spears is seen at the 2008 MTV Video Music Awards in Los Angeles. |
1. Girl Talk, “Feed the Animals”: Take all your albums and all of your parents’ albums, throw them in a blender and hit puree. The result? Girl Talk’s ”Feed the Animals. “It combines 40 years of rap and pop hits with classic rock instrumentals and contextualizes the individual songs in entirely new ways. From now on, you’ll never hear the Spencer Davis Group’s “Gimme Some Lovin’ ” without thinking of UGK and OutKast’s “Int’l Player’s Anthem,” and for that you can thank Gregg Gillis’ mash-up masterpiece.
2. Guns N’ Roses, “Chinese Democracy”: Yes, Axl Rose’s 17-years-in-the-making Hail Mary is over-the-top, bombastic and rather absurd. Guess what else? It’s awesome, in a way only possible for an album whose creation has spanned multiple presidential administrations.
3. Lil Wayne, “Tha Carter III”: After years of hype built on a mountain of mixtapes and cameos, “Tha Carter III” was Weezy’s grand statement and 2008’s biggest personality delivered in a way few thought was possible.
4. Coldplay, “Viva la Vida or Death and All His Friends”: Back on track after the 2005 misfire “X&Y,” “Viva la Vida” is the sound of one of the world’s best bands getting back to what it does best — c rafting great, big anthems for the masses.
5. Portishead, “Third”: It’s been 11 years since Portishead’s last album, and the time off has only made the seminal trip-hoppers spookier, darker and more desolate. If you thought the movie “The Strangers” was scary, try listening to “Machine Gun” all alone with the lights out.
6. My Morning Jacket, “Evil Urges”: More than just evil urges guided Kentucky rockers My Morning Jacket’s fifth album. It’s also the group’s funkiest, most experimental record to date, with the funk goof “Highly Suspicious” coming off like an inside joke inspired by a late-night viewing of “The Chronicles of Riddick.”
7. The Raveonettes, “Lust Lust Lust”: Try “Loud Loud Loud.” “Aly, Walk With Me” may have been the year’s loudest single, and it opens the Raveonettes’ fourth and best album in ear-splitting fashion.
8. Mariah Carey, “EMC2”: Everything that worked on her 2005 comeback LP “The Emancipation of Mimi” works even better here, with Carey melding the worlds of R&B, pop and hip-hop more seamlessly than ever before.
9. Metallica, “Death Magnetic”: In which the veteran rockers put the “metal” back in Metallica. Brutal, unrelenting and heavy as an oil drum. In other words, welcome back, boys.
10. Duffy, “Rockferry”: Recalling Dusty Springfield, not Amy Winehouse, the wee Welsh lass with the big, booming voice proved a natural fit for Bernard Butler’s retro-soul sound.
Top 10 songs of 2008
1. Lil Wayne, “A Milli”: As if Lil Wayne sliced open his head and poured out the contents, “A Milli” better captured the bold, boastful, manic world of Lil Wayne than any full-length mixtape could ever hope to.
2. Usher f/ Young Jeezy, “Love in this Club”: Ayyyyy! Usher is butter smooth over Polow da Don’s trickling synths and somehow makes doin’ it on the dance floor sound like the height of romance.
3. Jay-Z and T.I. f/ Kanye West and Lil Wayne, ‘S.L.U. (Swagga Like Us)”: Need more proof that it was a career year for T.I.? Batting cleanup here behind three of hip-hop’s best sluggers, he knocks a grand slam out of the park and brings his teammates home safely. Now that’s swagger.
4. Coldplay, “Viva la Vida”: Whether or not they stole it from Joe Satriani, as recently alleged by the guitar virtuoso, is irrelevant. To paraphrase Jay-Z: He made it a hot line ; they made it a hot song.
5. Estelle f/ Kanye West, “American Boy”: What’s the best way for a UK R&B singer to make a splash on this side of the pond? Two words: Call Kanye.
6. Kings of Leon, “Sex on Fire”: The Tennessee rockers get all hot and bothered, delivering their steamiest single to date.
7. T.I. f/ Rihanna, “Live Your Life”: Everything Rihanna touches turns to gold, and T.I.’s re-appropriation of the ”Numa Numa” song is no different. Maya-hee, maya-ha!
8. Duffy, “Distant Dreamer”: Against a steadily climbing Phil Spector-ish bed of horns and strings, Duffy crafts a moving paean to the powers and possibilities of dreams.
9. Jonas Brothers, “Lovebug”: Gooey teenage power pop, fun and innocent as a pizza party.
10. (tie) MGMT, “Kids”/ “Time to Pretend”: Brooklyn-based electro hippies get their groove on with a pair of ubiquitous hipster anthems.
Top picks for 2008
Artist of the Year: The Rap Pack (Kanye West, Jay-Z, Lil Wayne and T.I.): You’ve heard of the Rat Pack, the Brat Pack and the Frat Pack. Now it’s time to meet the Rap Pack. Kanye West, Jay-Z, Lil Wayne and T.I. — whom Kanye dubbed the Rap Olympic team this summer on his blog — joined forces for “S.L.U. (Swagga Like Us),” the hottest posse cut of the year. It was also the foursome’s unequivocal mission statement, which was summed up succinctly by a sample from M.I.A.’s “Paper Planes”: “No one on the corner has swagger like us.” And how. Together and separately, the four of them had a stranglehold on hip-hop in 2008: If it happened, they were involved, end of story.
Album Cover of the Year: Lil Wayne, “Tha Carter III”: Lil Wayne decided to put his baby picture on the cover of “Tha Carter III,” immediately inviting comparisons to landmark hip-hop albums such as Nas’ “Illmatic” and Biggie’s “Ready to Die.” But neither of them had the foresight to Photoshop tattoos on the toddler — point, Wayne.
Controversy of the Year: Did Coldplay steal “Viva la Vida”? It was an accusation first lobbed by Creaky Boards, a low-level indie band that claimed Chris Martin and Co. ripped off their song “The Songs I Didn’t Write,” and later by guitar whiz Joe Satriani, who cited the similarities between his song “If I Could Fly” and “Viva.” Coldplay has maintained its innocence, but several YouTube clips comparing and contrasting the different tracks suggest the cases might not go away anytime soon.
Overexposed Starlet of the Year: Taylor Swift: Yes, we applaud the fact that she writes her own songs, but is that reason enough for her to be shoved down our throats every time we turn on the television? This bland blonde was everywhere there was a red carpet in 2008, but showed so little personality that she made whatever Jonas Brother she was dating look like the life of the party.
Non-Surprise of the Year: Katy Perry’s stardom: Who knew that a babe singing a bi-curious song about kissing other chicks would catch on in a post-”Girls Gone Wild” world? Oh, that’s right, everybody did.
Best Video of the Year: Beyonci, “Single Ladies (Put a Ring On It)”: Talk about doing more with less. This minimalist, black-and-white clip creates music video gold using three black bodysuits, two backup dancers and one Beyonci. The result? The most talked-about video of the year (and not just because of the Justin Timberlake parody clip on “SNL”).
Most Juvenile Joke of the Year: Britney Spears, “If U Seek Amy”: “All of the boys and all of the girls are begging to ‘If U Seek Amy,’ ” Britney coos on her 2008 album “Circus.” Get it? If not, you’re probably not in middle school.
New Artist to Watch in 2009: Asher Roth: Asher Roth is the best white rapper to emerge since a promising young upstart from Detroit named Eminem. Yep, we said the E word, but Asher Roth has the skills to back it up, as he proved on his 2008 mixtape, “The Greenhouse Effect.” Will he buckle under the pressure of being the next Great White Hope? We’ll see in spring, when his major label debut is set to hit stores — alongside Eminem’s comeback album, “Relapse.” Is it getting hot in here, or is it just us?
